Dark ERA

The fascinating sound of Dark ERA ranges from the transcendental drones of the ancient stringed-harp Tagelharpa to the unmatched grace of the gut-stringed Lyre to the distinctive and characteristic sound of the Nordic bone flutes and the overtone flute Fujara.

Goose bumps are guaranteed with the sound of war horns such as the wooden Lur, thunderous mighty percussion, a full ensemble of frame-drums as well as mystical throat chants.

These instruments are complemented by an impressive collection of pulsating pads and atmospheric soundscapes which evolve over longer periods.

These unique sounds ensure that Dark ERA can clearly be regarded as the next masterpiece created by Eduardo Tarilonte.

The instrument collection is complemented by more than one hundred programmed soundscapes. These are partially rhythmically animated to pulsate in sync with the current tempo or to create unreal atmospheres using complex sound textures.

These textures consist of several elements which can be adjusted in level and panning to your liking in the mixer page of Engine. To support the sound rhythmically, dedicated Epic Loops have been designed. These consist of up to 20 instruments and up to 16 separate elements which can all be individually adjusted, allowing to flexibly arrange beats.

Available are four variations for each main loop, different fills and endings (ensemble and single hits) as well as a pulsating sound matching the rhythm. The loops will automatically adapt to the tempo of your DAW.

The rhythmic pads containing melodic as well as rhythmic elements gap the bridge between drums and solo instruments. Just as for the soundscapes, the individual pad elements can be individually be panned and mixed.

Another specialty of Dark ERA is the vocal section. Vocal rhythms, being inspired by the Inuit, can be constructed and arranged from single notes. 24 MIDI-files serve as templates which trigger and play the individual shouts. Of course, the rhythms can be edited or even be created from scratch.

The throat singing recordings have been divided into four styles. It is also possible to add harmonics using a dedicated slider. Shaman ritual chants and sole vocals add liveliness and authentic elements to the music.

Dark ERA offers more than 50 instruments consisting of over 20,000 samples. The library contains seven-string instruments, 17 wind instruments, and 33 drums and percussion.

In order to maximize playability, several play techniques have been recorded and made available in the library respectively our powerful cross-platform compatible sample-player Engine.

The wind instruments offer different articulations as well as true legato. In addition, the flutes provide some really unusual and haunting effect sounds.

Furthermore, the string instruments offer round-robin samples for notes being picked in up and down directions. The plucked instruments were recorded with different play techniques such as using a plectrum, fingers or being strummed.

Bowed Strings: Tagelharpa / Jouhikko Small, Tagelharpa / Jouhikko Big and Crwth.

Plucked Strings: Cologne Lyre, Ancient Lyre, Trossingen Lyre and Utrecht Lute.

Winds: War Horn, White Horn, Curved Horn, Shofar, Bukkehorn, Shell, Long Trumpet, Big Horn, Double Flute, Small Bone Flute, Vulture Bone Flute, Pictish Pipes, Elderwood Flute, Overtone Fujara, Didgeridoo and Wooden Lur.

Percussion: Shamanic Drum Small, Shamanic Drum Big, Big Frame Drum, 5 Square Drums, 2 Skin Drums, 2 Skin Snares, Skin Tom, Sieves, Anvil, 3 Viking Mouth Harps, Jawbone, Pan Medium, Pan Rusted, 7 Seed Shakers, Small Bells, 2 Cowbells, Bullroarer, Horseshoe and Bronze Mortar.

The string and wind-instruments, as well as some of the drums being used for this library, have been handmade by the master instrument maker Benjamin Simao. The instruments were performed by:

• Benjamin Simao: String Instruments, Shamanic Drums, Tympanum Romano
• Iván Carlón: Wind Instruments
• Adal Fernández del Castillo: Percussion
• Moisés Pérez: Throat and Overtone Singing, Vocal Rhythms
• Joaquim Manjón: Overtone Singing

During the recording of the skin drums, special focus was paid to a full sounding, powerful bass while retaining punch. You can almost feel the sticks hitting the skins

This sound character will be preserved during the mix – present and powerful. In addition, the metallic percussion instruments, including an anvil and horseshoes, sound piercing and fierce.