Sound Design Mode
Clicking the triangle icon activates Sound Design Mode. This allows you to directly manipulate a selection of the mapped samples and highly customize your preset using the waveform control. You can jump-start sample positions, reverse playback, reverse sync to downbeat, time-stretch and more. These features are available even for instruments that use disk streaming by default.Clicking the triangle icon again instantly takes you back to the safety of Orchestral Mode.
Pulses
Symphobia 4: Pandora features both Cluster Pulses and Tonal Pulses. Cluster Pulses are idiomatic note combinations that add INSTANT CINEMATIC DRIVE to your track. Each key holds a different recorded cluster of notes for the strings, brass and woodwind sections. For each pulse, a matching crescendo and staccato crescendo phrase is available. These work great as intros and outros, particularly when combined with Pandora's Adaptive Sync crescendos and rolls.
Tonal Pulses are available for low and mid strings, performed in octaves and in unison, respectively. The Tonal Pulses offer additional, synchronized synth layers that can be mixed in with the orchestral pulse on-the-fly.
All pulses have been recorded in 4ths, 8ths and 16ths repetitions. The Pandora interface allows you to switch mid-pattern, with synchronization completely intact.
Risers
No cinematic library is complete without a solid collection of tension-building string risers. For Pandora, multiple recording sessions were dedicated solely to this, covering risers lengths 2 to 15 seconds in different playing techniques and dynamic arcs, including arco, accelerating staccatos, harmonics and sul ponticello tremolo. Here too, matching up the risers with your sequence is a breeze using Adaptive Sync.
You can use the orchestral risers in their original form, or give them the TRAILER TREATMENT by adding an idiomatic, accelerating stutter effect and some saturation using Pandora’s Effects Module. A number of Snapshots are included as inspiring examples. Pandora also includes a set of suspenseful string DOWNERS.
Combos
Combining the library's individual articulations, effects, pulses and percussion, Pandora’s Combos hold some of the biggest orchestral ensembles you’ve heard yet. All elements inside a Combo are able to directly communicate with one another, allowing for musical wizardry such as the on-the-fly aligning of a col legno hit to a brass crescendo climax. Or a big tutti diminuendo at the end of a riser.
Combos featuring multiple Adaptive Sync instruments offer the option to link their sync settings. This allows you to set the length and timing of the entire ensemble with a single set of controls.